Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Thursday, September 29, 2016

Dead and Very Lost


I fail at promo. I have a new book out but I haven't sent copies to review sites, flogged it to death on Facebook or twitter, or even made a blog post about it until now. I have no excuse.

Somehow Dead and Lost managed to become an ARe bestseller–no idea how that happened. It's Amazon ranking isn't too horrible either.

Dead and Lost is the third installment in the confusingly numbered L.A. Paranormal series about Leander, the psychic pet detective and his grumpy roommate-slash-lover, Jon. This time the story is told from Leander's point of view. It picks up some time after the last book, Dead in the Desert left off. Leander finally caved in and agreed to help Cora to find out how the child's skeleton ended up in a shallow grave in the desert. Immediately they run into trouble.

Excerpt:

I stood in a cold room, eyes and head bowed, cradling a child’s skull in my hands. It must’ve been quite a picture—scrawny blond guy doing creepy stuff—but I was too busy dumping conscious thought from my mind to consider my self-image. As the thoughts went they took with them the scent of disinfectants and the chill, and the heat of the Mojave desert flowed in.

The part of my consciousness that stayed on guard knew it was all in my head but I felt the sun beating down on my skin and the coarse dirt under my feet as vividly as on the day we’d found the body. The boy’s essence—spirit if you will—trickled in to fill the empty spaces. Time passed backwards and I felt cold again, but an organic sort, full of the sounds of animals scurrying under the night sky. Burrowing insects were going about their business all around me in the soil.

But these were only the memories of the bones, not the child’s. I tugged on them gently, hoping they’d lead me back further, to the moment of death at least, but instead they frayed into nothing, and I was left alone in a bright room at the Los Angeles County Morgue, clasping a skull.
Well, not completely alone. Detective Cora Bennet stared at me, anticipation in her eyes and notepad poised in her hand. She knew the answer the moment our gazes met, but only the smallest slump of her shoulders showed her disappointment.

“Sorry, got nothing,” I said, confirming her hunch.

“Too long in the ground?”

“Maybe.” I put the skull back into the cardboard box, next to the rest of the bones, as gently as I could.

“Maybe?” Cora’s brown eyes were sharp but warm. She made me think of my mom, even though I’d been too young when she’d died to remember her by anything but photos and psychic impressions she’d left behind in our home. Cora had the same gentle but firm quality about her. “What is it?” she pushed.
I put the lid of the box back in place while herding my fuzzy impressions and stray ideas into a coherent bunch. “Well, you know, it’s the emotions that make a lasting mark,” I started.

“And nothing causes stronger emotions than dying violently,” she added.

“Exactly. So I’m thinking, maybe I can’t pick up anything because he died peacefully. No trauma. It’s at least a good thing, right?” We both knew a small child didn’t just end up buried in the middle of the desert without foul play, but I liked to believe he didn’t suffer. The alternative was that my talents simply crapped out on us. Psyching wasn’t exactly a science.

“Hm.” Cora put her notepad away. “Let’s go, Leander.” Most people called me Lea, but for some reason Cora stuck to my full first name.

She turned and I followed her, eager to be out of the morgue. The truth to be told, I hadn’t wanted to be there in the first place. I’d had human remains spill their secrets to me before, but they’d all been adults. I’d dreaded to do the same with a child, and this is why I’d dragged my feet after Cora had first asked me. I’d hoped she’d solve the case without me. To her credit, she hadn’t pressed, but after two months guilt got the better of me and I offered my services.

Cora blinked up at the crisp blue sky as we stepped outside—September was drawing close with nice, warm weather. I had a notion she didn’t much like coming here either. “What are you in the mood for?” she asked, heading for the car. I knew she meant lunch.
Psyching generally made me tired and hungry, though the effects were minimal this time, probably because I’d barely done any of it. I said as much as I dropped into the passenger seat. “If you just take me home, I’ll be fine.”

She put the car in gear. “No way, Jose. I’ve been told in no uncertain terms to feed you after…your thing. I wouldn’t dare to disobey.”

I had a good idea who talked to her. “It was Jon, wasn’t it? He’s a bit bossy.” Warmth spread through me faster than wildfire in August at the mere thought of my Grumpy Bear. I imagined the scene—Jon giving instructions and out-gruffing Cora. He was a champion gruffer, but I knew the truth—he was all care and compassion inside. I probably didn’t deserve him, I planned to keep him for good anyway.

Fortunately, Cora’s attention was on the traffic and didn’t notice me grinning like an idiot.

“Yes, your boyfriend and I had a long chat,” she admitted. “To be honest, you could use some more meat on your bones. Is it true you used to live on toast and Ramen noodles?” She could’ve only learned this from Jon.

“And sandwiches. I’m an expert sandwich maker. Did Jon mention that?” I huffed.

“It didn’t come up. I don’t know about you, but I could murder some Pad Thai.”

“Sounds good. I know a good place in Pasadena,” I added, since we were going to end up there anyway, as she had to drive me home.

She nodded and made for the freeway.

Wednesday, June 3, 2015

Wednesday Word: Diablerie

diablerie |dēˈäblərē| nounreckless mischief; charismatic wildness:the beauty and diablerie of the great actor.• archaic sorcery supposedly assisted by the devil.
ORIGIN mid 18th cent.: from French, from diable, from ecclesiastical Latin diabolus ‘devil.’


I'm back to writing paranormal, or maybe it's urban fantasy. I just finished a "short" story set in a brand new world, and I’m already planning the sequel(s). 

All my previous paranormal stories took place in contemporary US, with one side-trip to the Old Country, but One Hex Too Many is set in an alternate universe. It’s still contemporary US, but with a twist. Magic is real, and it can be used for nefarious purposes. The protagonist is a cop who investigates such crimes.

Monday, May 11, 2015

Writing and Rambling

Even the big stories grow from tiny seeds of ideas.

I keep a notebook to jot down random bits of dialogue, character ideas, and other flotsam and jetsam of my brain. Not unlike a squirrel hides his nuts.

Recently, when looking for idea for a short story, I came across comic take on a comic take on an old trope. You know, the one where the protagonist looks into the mirror and describes himself.

In my version the hero looks into the mirror, describes what he sees, but it's not him. So far it was just a joke, but I started exploring the premise. Who's visage is in the mirror? How did it get there and why? And from this a story emerged.

I'm not 15,000 words into this yet untitled urban fantasy story and I'm rather giddy about it. I already know it'll need a sequel.

On an unrelated note, my other creative project, the quest for the perfect, or at least pretty good sourdough bread is so far a bust.

Thursday, April 23, 2015

The Mystery of Mysteries


It has occurred to me that I should occasionally blog about writing, since readers might be interested. I don’t like talking much of works on progress in fear on jinxing them, but I’m trying to overcome this superstition.

I’m currently doing preproduction on a paranormal short story. This consists of making up names for fictional people and places, inventing or repurposing terms for supernatural phenomena and such. Also, since this will be a mystery of sorts, making up the back story. 

I’ve written a few paranormal mysteries and romances with elements of mystery and suspense, but I’m reluctant to call myself a mystery writer. However, I believe I’ve figured out one of the tenets of the genre: know the crime before you start solving it. Who did what to whom, when, where, how, and most of all why? It’s like drawing the maze through which your detective will have to find his way through.


Okay, so it’s more of a no-brainer than a mystery, but there you have it.

Thursday, February 19, 2015

Happy Lunar New Year!

Today is the first day of the Year of the Goat. Some say sheep, but I prefer goat. Goats are awesome; check youtube if you don't believe me.

Last year mostly sucked hairy donkey balls for me, and picked up only towards the very end. But I have high hopes for this new one. Yes, I have a smidgenly [sic] superstitious tendencies. I've been doing a lot of cover designs lately, and a bunch of different genres, and they are a source both for stress and pleasure. The thing is, I need them and not just because of the money. I crave the challenge and working in a visual media, and they provide a much more immediate gratification than writing.

Writing is a slow-burn creative endeavor, with different challenges and rewards. It's nice to have a bit of both.

I woke up this morning muzzy, trying to fix in my memory the bizarrely awesome dreams I had about magical worlds, strange and scary creatures, and general and utter weirdness that exists only in dreams. The imagery they came with was so very rich and "real," part contemporary, part fantasy. I wrote down the scraps I'd managed to rescue from the sandman. I might be able to use them in a story or two one day.

Tuesday, June 24, 2014

Random Update


I have had health and other issues lately and my mood took a nose dive. Let me just say, anxiety attacks are the suck. Everyone reacts differently to crisis. Some people share every little detail of their problems. I withdraw. I suspect the first approach is healthier, but I am who I am. I'm starting to feel better now, but I'm still wobbly. Fuck it.

The MS of Secrets and Charms is off to my editor. Remember Jem's friend, Olly, from Secrets and Ink? Well, it's his story. There are more Hollywood shenanigans, romance, and mystery. Bran's mother (Dead Man books), Layla makes a guest appearance.

I also wrote a holiday-ish short story, but it still needs some edits. I put aside for now.

Dead Man and the Army of Frogs have been edited, formatted, and ready for the August 5 release.

I joined twitter at last, but I have to say the whole thing befuddles me. Lots of links to reviews, promo, and not particularly exciting status updates. And I have no idea about the etiquette. If someone follows me, am I supposed to follow them back? What if I don't want to?

On the home front: my balcony garden is a mixed success. The available sun is not enough for most plants I have. However, the parsley and cat grass are doing fine, and the Boston fern is very happy. At fall I'll have to divide it up and replant it.

My neighbor has sunflowers growing between the curb and sidewalk in front of her house. They look pretty cool.

Wednesday, April 23, 2014

But I Don't Like Spam!



An obnoxious email message hawking porn keeps showing up in my mailbox. The subject is always a different gibberish and the body is done with Java or something so the text in it not really text (not an image either). I've set up a dozen filters but it keeps sneaking through.


And it made me wonder: is there a payoff for un-blockable spam? Can you annoy others into clicking your link, buying your product? Are there people out there who after deleting a 100 of these, look at the 101st and go "hm, maybe this is what I wanted all my life?" It must work or the senders wouldn't bother. Right?

spam |spam|

noun
1 ( Spam) trademark a canned meat product made mainly from ham.
2 irrelevant or inappropriate messages sent on the Internet to a large number of recipients.

verb [ trans. ]
send the same message indiscriminately to (large numbers of recipients) on the Internet.

DERIVATIVES
spammer noun

ORIGIN 1930s: apparently from sp(iced h)am.

Too often author promo reminds me of spam. You accept someone's friend request and suddenly his/her latest release takes over your newsfeed. I don't want to sound like an asshole—being excited about a new cover, new book, a certain review is normal. I'll like it, share it, etc.  Possibly. However, when it's post after post and day after day, I get grumpy and find a way to remove the author from my newsfeed for good.


Sadly, I understand the desperation behind these tactics. Promo is the bane of every author's existence. No matter if you're a newbie or well established, you have a nagging feeling there are readers out there who'd just love your book, if only they knew about it.

Being an author is a lot like fishing: you throw your book out there and hope someone will bite. The author's role is reactive. Or at least it used to be.  On Goodreads you can take a more active role—you go the right group and friend everyone there. I don't know how others feel about this, but when it's done to me it rubs me the wrong way. I bristle at the idea of becoming someone's fan fodder.

Deep down I suspect going aggressively after reader must have a payoff somewhere. You cast a wide net, you catch fish. It still feels wrong to me.  With a new book coming out in a couple of months I sure wish I knew the secret of perfect promo, the golden road between spam and tofu. Alas, I don't.

Saturday, March 8, 2014

Editing, Editing, and More Editing


I've figure out something: whenever other authors give you advice regarding the writing process, they tell you what works for them.  However, there's no guarantee the same things will be effective for you too. Listening to the advice is still useful though, because it can give ideas for new things to try.

When I started out I flew by the seat of my pants and crafted my stories slowly and fastidiously. Consequently I could give them to my beta reader chapter by chapter. Then halfway through Last Stop I realized I had to make at least a rough outline for the rest of the plot or I'd get lost. I knew how the story would end and the various things that needed to happen to get there, but linking them up in the right order was a challenge.

Also while writing Last Stop I lost steam twice in an OMFG-I'll-never-finish-this! fashion. And that book is barely over 50,000 words.

Since then my writing process changed. I make an outline in the form of a bullet point list, have names for my supporting characters and fictional locations, character sheets, etc. This is all flexible, of course—surprise supporting characters pop up, MCs reveal secrets about themselves, the plot thickens—but overall the underlying structure is there.

Another huge change I'd made is that now I rush ahead and write a very rough first draft. When I get stuck on something I leave a note and move on. I write what I call naked dialogue—without beats or even tags. I give myself stage directions, leave reminders to phrase something better, check accuracy of details, etc.

The benefit of this approach is that I reach the end relatively fast and without getting bogged down. To make the MS actually readable I have to do several passes of edits. First, I go through it and fill in the holes. Next I do another pass and refine the details. Then I make an ebook file and put it on my ereader—and let it sit there for a few days. The eventual read-through is the red pencil phase—I take copious amounts of notes, followed by another round of edits. And that's when the MS finally makes it to my beta readers.

Reading feedback from the beta readers is my favorite part but also the most painful one. This is when I get over my secret fears (This sucks! I suck!) but at the same time those pesky beta readers are excellent at skewering the lazy bits I thought I was getting away with, plus pointing out weak points I missed.

I don't know if there's anyone for whom writing comes easy, but if they exist, they have my full envy. Every time I send a manuscript to my editor I'm astonished I managed to get there.

Sunday, January 5, 2014

Status Update – The Return of Harvey and Gabe




My next book with Samhain will be Temper Sanguine, due out in June. All the content edits are done, and I've even seen a comp for the cover. It's a great feeling to be at this "OMG, I actually finished this thing!" stage. Temper Sanguine is a sequel to Spirit Sanguine and picks up a few months after where the first book left off. Without giving away too much, I can tell that there's some traveling, nasty bad guys, fighting, gore, and a colorful cast of supporting characters.

While Temper Sanguine is a sequel, I wrote it to work as a standalone. It takes extra work sum up the world and the relevant details from the previous book without turning it into an info-dump, but it's worth the effort.

Sometimes I'm amazed I finish anything at all. When I'm in the middle of a project the end seems hopelessly far away and I often despair. Fortunately, I've realized writing is a lot like climbing uphill—all you need to do is focus on your next step and you'll eventually make it to the top.

I wrote this book in layers, more than any other book before. The first draft was incredibly rough and it took multiple passes of edits to fill the wholes and smooth out the rough patches. Now that it's done, I'm truly pleased with the results.

In other news: I plan to publish the slightly re-edited version of Academic Pursuits in early March, and I'm currently working on a Dead Man story.

Sunday, July 28, 2013

Status Update




I've been editing Dead in the Desert (sequel to Dead in L.A.) for over a week, with short breaks for cover designs. My brain is fried, but I'm close to finishing. Of course, I'll have to immediately jump on editing a novelette.

My writing process has changed since I started. I penned Hanging Loose and Last Stop in a thorough, chapter-by-chapter way, so I was able to send them to my trusty beta-partner, Josephine Myles as I went. The problem with that method was that I write slowly and even halfway through the end seemed unreachably far away. During Last Stop I lost steam twice, and was in the danger of not finishing at all. I had to seriously rally to get back on track. And that book is only 55,000-words long.

So now I rush toward the finish line—as much as a turtle can rush. If something threatens to bog me down, I leave it for later. I write "naked dialogue" without tags or beats. Often times, instead of going into details, I give myself stage directions. If I notice word repetitions or other things that need fixing, I highlight them and move on. I leave notes to remind myself of things that might need research or checking details in previous books.

The end result is that I have two passes of edits before sending the MS out for beta. First, I go through the story and fill in all the wholes, do all the fine-tuning. Next, I compile the story into a mobi format and upload it onto my Kindle app. Then… I do nothing for a few days, because at the point I just need a damn break. When I finally get around reading the story, I highlight problem areas, take notes, and follow it up another round of edits.

Interestingly, in case of every story comes a point when I just hate the whole damn thing. That's when I know I'm almost done.

Sunday, October 14, 2012

Sunday Things


I had a weird dream about third-rate hotel rooms and finding a pigeon with a broken leg in the woods. Pigeons don't live in the woods. I have no idea what my subconscious is trying to tell me.

On a less confusing note, I've designed another cover for Harper Fox.


Rather purrdy, even if I say so myself. Harper likes it too, and that's what matters. I used the gorgeousness of that frosty glass surface as the starting point of the design.

I probably shouldn't admit it, but half the time at the beginning of a project—design and writing alike—I have a wild moment of panic, when I'm convinced I can't do it. But then it all works out. Usually.

Saturday, July 14, 2012

News Bits & Random Ramblings Where Neil Gaiman Keeps Butting In


If common marketing wisdom can be trusted—and who'd dare to question it—I'm a failure. I'm supposed to be blogging, twittering, and filling Facebook with outpourings of wonderful me. The problem is, I'm a grouch, and social media wakes up my antisocial tendencies. Also, unlike Neil Gaiman, I live a boring life. All the drama and action happens in my head—just the way I prefer it.

I've been writing—two-thirds through a trio of short stories about a skinny necromancer with penchant for body piercing, whose new neighbor turns out to be a (male) witch with a secret. I took a break from it to pen a short story, which I plan to put out for free.

Short stories take me a disproportionate amount of time. They require the use of a different set of writing muscles, and it can be a challenge. Some are on the opinion it's impossible to tell a satisfying story under twenty or thirty thousand words, but anyone thinking so only need to read Fragile Things by Neil Gaiman. A Study In Emerald especially blew me away. After finishing it I was saddened by the fact that I'll never be able to read it for the first time again.

Oh but I should be talking about me, not blasted Gaiman. Another short of mine, Tomfoolery has stuck to the top twenty of Amazon's freebie GLBT romance list for over three months now. I'm proud of the kid—it gets knocked off time to time, but claws its way back. Meanwhile Jo Myles' Pole Star seems firmly stuck in the #7 position. At least, I designed the cover for it.



Speaking of short shorts, and not the kind Kevin Kline wears in The Big Chill, one of mine will be appearing in an anthology by Cleis Press.



Sexy Sailors is available for pre-order, although the release date is not till November. I think. Jo Myles has a story in the collection, and I think JL Merrow too. I don't know who else, but it's edited by Neil Plakcy. It's all erotica, not romance--you've been warned.

Next up: I need to plot my third paranormal story. I think frogs will take center stage. Or maybe toads. Since Last Stop I've been writing plottier stories, and I'm still amazed every time that I manage to come up with mostly coherent scenarios. Going on a hike, away from the internet, and other distractions has proven very fruitful. Otherwise I'm a lot like Lisa Simpson in The Book Job. It's one of the best Simpson episodes in a long time, and not because that blasted Gaiman plays himself in it.

Curse you, Neil Gaiman, curse you!

PS. This is the point where I'm supposed to tag my post with Neil Gaiman, so all those innocents looking for him get lured into my web of hairy man-love. I will refrain.