Dead Man and the Army of Frogs is off to my beloved beta
readers, and I'm busy doing preproduction for my next book. So far I've written
1,800 words of plot outline and it's not even the detailed one. The story is a
sort-of-mystery, as mine often are, and what I've figured out is that instead
of what will happen in the narrative, the first outline should contain what
happens everywhere, including stuff my protagonists are not privy to. Put it in
different terms, this is a chronological, omniscient description of events. The
next step is to distill it into a bullet point list of events from the POV if
my narrator(s).
I like this phase—it's exciting, and a little scary, but
mostly all potential. I haven't always done it, but now I find it exceptionally
useful. For example, giving names to all my characters even before starting the
outline helps me to flesh them out. This is also the time I start doing
research. I'm very visual and tend to look for a pictorial reference for every
little thing that appears in my story, even if it's for one line.
A chunk of the book is to take place in a two bedroom
Craftsman house in Silver Lake, so I drove around there to scout, then spent an
hour on Google searching for photos of Craftsman homes. I even downloaded and
printed a floor plan—it'll help me to visualize the scenes.
I grabbed another floor plan too, even though the place will
probably only appear in one scene. It's a bungalow belonging to Mme Layla, aka
Layla Maurell. Yeah, she's Bran's mom from the Dead Man books. :) I like having
supporting characters walking from one book to another. This time I'm also
planning guest appearances by Detective Lipkin from Dead in L.A. and Sandy
Baker from Hanging Loose. Well, that's the plan. You know never know what
actually happens once you start writing.
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